Who handles camera support equipment and rigging?

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Multiple Choice

Who handles camera support equipment and rigging?

Explanation:
The grip is responsible for camera support gear and rigging. They set up and manage the equipment that holds or moves the camera—things like dollies, tracks, cranes, and various mounting rigs—ensuring these setups are safe, stable, and can move smoothly with the shot. This role focuses on the physical support and rigging work that makes camera movements possible, often translating the director’s and cinematographer’s blocking into concrete, workable setups on set. The cinematographer guides the camera’s framing, lighting decisions, and exposure, but does not typically handle the rigging. The editor works in post-production, assembling the footage. The sound recordist handles on-set audio.

The grip is responsible for camera support gear and rigging. They set up and manage the equipment that holds or moves the camera—things like dollies, tracks, cranes, and various mounting rigs—ensuring these setups are safe, stable, and can move smoothly with the shot. This role focuses on the physical support and rigging work that makes camera movements possible, often translating the director’s and cinematographer’s blocking into concrete, workable setups on set. The cinematographer guides the camera’s framing, lighting decisions, and exposure, but does not typically handle the rigging. The editor works in post-production, assembling the footage. The sound recordist handles on-set audio.

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